’Ooh, He’s Got a Dirty Mouth!’
Bitches on my mind
I can’t hold back, now’s the time
All you loud-mouth bitches talk too much
And you dick teasin’ bitches never fuck...
Too Short - Dope Fiend Beat
By Davey D
Over the past few years there have been a number of campaigns designed to make radio stations more responsive to their communities – battles fought in San Francisco, Detroit, Chicago and New York and other cities. Some have failed and others have succeeded.
If we are to make radio accountable to community, we must identify viable strategies. To understand which strategies work, we need to understand the recent history of reform efforts and the current context.
Faced with government plans to allow additional consolidation in radio ownership, tens of thousands of people successfully mobilized in 2003 through 2005 against such ownership rule changes. Meanwhile, over the same period, activists began to create more alternatives to corporate media – launching their own news-oriented Internet websites, creating blogs and making documentaries. As for radio, activists began to launch pirate operations and pushed the Federal Communications Commission to license low-power radio stations.
This independent media movement, which continues to grow, is a proactive way to give communities options to mainstream radio and other commercial media. Unlike the media reformers who waged a campaign in the early-to-mid 1980s to get the recording industry to put labels on music with “explicit” lyrics and – unlike the movement 10 to 15 years ago spearheaded by seasoned civil rights activists such as the late C. Delores Tucker and Reverend Calvin Butts – the leading media reform advocates today are the 20-to-30-something-year-olds who identify themselves as members of the Hip Hop generation.
Rapitalism Records is issuing an advisory alert. Discretion is a thing of the past. With the release of the uncompromising "Niggaz and White Girlz," labelmates Kirby Dominant and Chris Sinister render their thugged-out interpretation of '80s and new wave music featuring DJ Icewater. Kirb and Chris turn tracks from groups like The Cure, The Smiths, Depeche Mode, B-52s, U2, and Gary Numan into a non-stop soundtrack for New Wave Thuggin'.
"I keep my feet in different gumbo pots 'cause I'm an entrepreneur, not just a rapper," said D-Shot of the latest venture.-Rap News Network
Shot in San Francisco's own Mission district by locals and starring many well-knowns in the SF art and music scene, this gritty underground drama has been winning awards at international film festivals. The film tells the story of Heir and Vain, childhood friends who have evolved into a brilliant team of grafitti artists, covertly decorating the canvases of concrete and steel throughout the Bay Area. When they're arrested for painting and their secret identities are revealed, creative outlets are abruptly severed. Faced with restitution and the prospect of serving hard time, they struggle to maintain their creative passion, their lifelong friendship, and ultimately, their lives.
"DJ Kevvy Kev hosts the longest-running hip hop radio show in the world on Stanford's KZSU -- sans recognition"